双语小说连载:《董贝父子》第7章 Part 1

There was another private house besides Miss Tox's in Princess's Place: not to mention an immense Pair of gates, with an immense pair of lion-headed knockers on them, which were never opened by any chance, and were supposed to constitute a disused entrance to somebody's stables. Indeed, there was a smack of stabling in the air of Princess's Place; and Miss Tox's bedroom (which was at the back) commanded a vista of Mews, where hostlers, at whatever sort of work engaged, were continually accompanying themselves with effervescent noises; and where the most domestic and confidential garments of coachmen and their wives and families, usually hung, like Macbeth's banners, on the outward walls.'At this other private house in Princess's Place, tenanted by a retired butler who had married a housekeeper, apartments were let Furnished, to a single gentleman: to wit, a wooden-featured, blue-faced Major, with his eyes starting out of his head, in whom Miss Tox recognised, as she herself expressed it, 'something so truly military;' and between whom and herself, an occasional interchange of newspapers and pamphlets, and such Platonic dalliance, was effected through the medium of a dark servant of the Major's who Miss Tox was quite content to classify as a 'native,' without connecting him with any geographical idea whatever.
除了托克斯小姐的房屋外，公主广场上还有另一座私人房屋；不用说，它也有两扇很大的门，门上也有一对很大的狮子头形状的门环；这门从来不曾在什么情况下开过，人们猜想，它是一个通向什么人的马厩的废弃不用的入口。确实，在公主广场的空气中是可以闻到马厩的气味的。从托克斯小姐的卧室（它在房屋的后面）望出去，可以望到马店的外景；马夫们在那里不论从事哪一种工作，总是连续不断地发出兴奋的吆喝来伴随自己。马车夫和他们老婆、孩子的最适合家里穿着和最隐蔽的衣裤通常都像麦克佩斯的旗帜一样，悬挂在外面的墙上①。公主广场的这另一座房屋由一位过去当过男管家、现已退休、并已与一位女管家结婚的男子承租；他把一些带家具的房间转租给一位单身的绅士，也就是说，一位面孔像木头一样没有表情，脸色发青的陆军少校；他的眼睛从脸上鼓出，托克斯小姐对这一点表示赏识，她本人曾说它“有些真正的军人气概”。他和她之间偶尔交换交换报纸和小册子，这种柏拉图式的互通款曲②是通过少校的一位黑肤色的仆人作为中间媒介来实现的，托克斯小姐甘心乐意地把这位仆人划为“本地人”，而并没有把他与任何地理概念相联系。
Perhaps there never was a smaller entry and staircase, than the entry and staircase of Miss Tox's house. Perhaps, taken altogether, from top to bottom, it was the most inconvenient little house in England, and the crookedest; but then, Miss Tox said, what a situation! There was very little daylight to be got there in the winter: no sun at the best of times: air was out of the question, and traffic was walled out. Still Miss Tox said, think of the situation! So said the blue-faced Major, whose eyes were starting out of his head: who gloried in Princess's Place: and who delighted to turn the conversation at his club, whenever he could, to something connected with some of the great people in the great street round the corner, that he might have the satisfaction of saying they were his neighbours.
也许，从来没有比托克斯小姐家的穿堂与楼梯更小的穿堂与楼梯了。也许，从上到下，总的来说，它是英国最不舒适的小房屋，也是形状最歪歪扭扭的。但是这时托克斯小姐就会说，它坐落在一个什么地方呵！冬天屋子里很少有亮光；在一年最好的时光中也见不到太阳；空气是根本谈不上的；街道交通也是不用提了。但是托克斯小姐仍然会说，想一想它是坐落在什么地方呵！脸色发青、眼睛从脸上鼓出的少校也是这么说的；他对公主广场感到自豪；他在俱乐部里，不论什么时候，只要可能，就高兴把谈话转到与住在通过拐角的大街上的大人物有关的一些事情上；他会得意洋洋地说，他们是他的邻居。
The dingy tenement inhabited by Miss Tox was her own; having been devised and bequeathed to her by the deceased owner of the fishy eye in the locket, of whom a miniature portrait, with a powdered head and a pigtail, balanced the kettle-holder on opposite sides of the parlour fireplace. The greater part of the furniture was of the powdered-head and pig-tail period: comprising a plate-warmer, always languishing and sprawling its four attenuated bow legs in somebody's way; and an obsolete harpsichord, illuminated round the maker's name with a painted garland of sweet peas. In any part of the house, visitors were usually cognizant of a prevailing mustiness; and in warm weather Miss Tox had been seen apparently writing in sundry chinks and crevices of the wainscoat with the the wrong end of a pen dipped in spirits of turpentine.
托克斯小姐所住的这座黑暗的房屋是她自己的房屋；这是她的小金盒中的那颗没有光泽的眼睛的已故的主人立了遗嘱，赠送给她的；他有一幅头上撒了粉、留着辫子的小小的肖像画，如今已成为与壁炉架另一端上面的水壶支架保持平衡的物品。大部分家具都是男人们头上撒粉和留辫子时期的家具，包括一个饭菜加温器，它经常疲劳无力，伸开四条细弱的罗圈腿，挡住人们的道路；还有一个已陈旧过时的大键琴，琴上制造者的姓名周围画着一环香豌豆，作为装饰。
Although Major Bagstock had arrived at what is called in polite literature, the grand meridian of life, and was proceeding on his journey downhill with hardly any throat, and a very rigid pair of jaw-bones, and long-flapped elephantine ears, and his eyes and complexion in the state of artificial excitement already mentioned, he was mightily proud of awakening an interest in Miss Tox, and tickled his vanity with the fiction that she was a splendid woman who had her eye on him. This he had several times hinted at the club: in connexion with little jocularities, of which old Joe Bagstock, old Joey Bagstock, old J. Bagstock, old Josh Bagstock, or so forth, was the perpetual theme: it being, as it were, the Major's stronghold and donjon-keep of light humour, to be on the most familiar terms with his own name.
虽然白格斯托克少校已经到达纯文学中所称的盛壮之年，现正走着下坡路；他几乎没有脖子，颚骨十分坚硬，象一般的长耳朵下垂着，眼睛与脸色呈现出一种前面已经叙述过的不自然的兴奋状态，然而他却以在托克斯小姐心中唤醒了对他的兴趣而十分自豪，而且假想她是一位有意于他的出色的女人，这样来满足自己的虚荣心。他在俱乐部里讲一些小小的笑话时好几次暗示了这一点。在他的笑话中，老乔?白格斯托克，老乔埃?白格斯托克，老约?白格斯托克，老乔希?白格斯托克，等等，是个永恒不变的主题，仿佛少校的幽默的要塞与主塔与他自己的姓名有着最亲昵的关系。
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①见莎士比亚著名悲剧《麦克佩斯》第五幕第五场：
麦克佩斯：“把我们的旗帜挂在城墙外面；……我们这座城堡防御得这样坚强，还怕他们围攻吗？……”
②指精神恋爱。